Monday Morning Music Ministry

12-12-22

This weekend I attended a performance of Messiah, the famous oratorio by Handel. Inspiring, always. Familiar, too. The musical miracle of Handel’s many great works, all three hours or so composed in about 23 days, invariably is heard this time of year, in concerts, on radio, even in snippets on TV commercials.

It is associated with Christmas but Handel intended, and lyricist Charles Jennens arranged Biblical passages, to tell the whole story of Christ, Emmanuel, God-with-us, the Incarnate Lord, Jesus. That is, not his “biography” but the dramatic glory-story from prophecies to the Millennial Kingdom.

I mention the words and concepts of the masterpiece because many people assume it is only Christmas music. As we shared here recently, the songs of salvation should never be filed away for one day or one holiday season – because that would mean they are neglected for the rest of the year. God forbid!

Handel, the “Greatest of English Composers” (1685-1759) was in a sense three different men: The German Georg-Fridrich Händel, born in the Saxon town of Halle; the popular composer of Italian operas Georgi Federico Handel; and the English George Frideric Handel. He settled in England, serving occasional patrons and arranging his own concerts. His string of operas (the fad of the entertainment world then) gave way to religious oratorios through the years. He became more and more religious as he grew older.

It is often misstated that he was brought to England by the Georges, kings of Hanoverian birth. But he did execute many works for them (they craved the association) and among his early works in England (1717) was a commission for King George I, the Royal Water Music. The Royal Fireworks Music is equally famous.

Händel was born in the same year as Johann Sebastian Bach, slightly more than 100 miles from Bach’s town of Eisenach; and attended Martin Luther University. Händel and Bach, the two masters of Baroque composition, were aware of each other, but never met. They were born only months apart, and Händel outlived Bach by nine years. Ironically, they both suffered from blindness at the end of their lives, coincidentally treated by the same eye surgeon. Tragically, the doctor was something of a quack.

Händel, once nearly bankrupt in England, was relatively wealthy by the end of his life. He was always generous with his resources. He had financed the new organ that had its first use in the debut of Messiah. Händel conducted that first performance, and annual concerts (in London) occurred every year until his death, all the proceeds going to his beloved charity, the Foundling Hospital.

Messiah was first performed in Dublin, in the New Music Hall. Significantly, two choirs were engaged: from St Patrick’s and from Christ Church (Trinity) – a symbolic bow to Catholic and Protestant “harmony.” Its initial presentation was over-subscribed; the crowds trying to enter resulted in SRO, and advance-ticket holders were turned away. Händel offered to conduct a second performance to satisfy the demand.

Among his many great works, Messiah was beloved of Händel. When he was close to death, his last prayer was that he lives until (and die upon) Good Friday – which would coincide with that year’s performance of Messiah. God granted this wish, by hours. The version we know today was enlarged in scope by Mozart; the oratorio has been touched by history’s greatest masters.

At this season, with such magnificent music, it is virtually impossible not to think of “other things” during the moments we pause to listen to the music… and the words. Oddly, the church where I attended a performance this weekend was in Flint, Michigan. “Oddly,” I say, because a news story was published on Friday that by some metrics or other, Flint was judged the worst city in America among almost 500 in the survey.

But in that beautiful church, hearing talented amateurs sing and play, proclaiming and believing the promises and reality of the Savior of humankind – unto us He was given – all the news and noise of the neighborhood and the world melted away.

The reality of a God who sent a Messiah to our world while we were yet sinners, must overcome the “reality” of this corrupt world.

And, for Christ’s sake (literally) do not pack away that truth in some box, to be forgotten the rest of the year.

+ + +

Click Video Clip (one short passage from Messiah, the prophecy of Isaiah, 600 years before Jesus’ birth): Unto Us a Child Is Born