Monday Morning Music Ministry

11-20-23

Our post-Christian culture has become, rather, so anti-Christian that it sometimes has to distort the past to justify the brave new world. Here are examples of notable figures from history whose relationships to Christ have been suppressed, and will surprise some people.

Vincent van Gogh is generally regarded as the greatest of artists, or among the few supernal geniuses who put brush to canvas. His works are respected and valued, yet his private life often is viewed as sad and twisted; that he was a disturbed figure to be pitied; that cutting his ear and committing suicide are evidences of an unbalanced mind.

Vincent’s life was troubled, certainly. Of many hundreds of paintings, he sold only two in his lifetime. He continually relied on friends and his brother for money. Once when especially despondent, he drank too much and was almost institutionalized.

Yet. Vincent was the son of a pastor, and brother of another. He aspired to be a minister himself, but was turned down by a seminary. He visited missions and charity halls, even once traveling to London to minister to the poor. He was almost as beset by what he felt as his inadequate service to Christ, as by his paintings’ lack of acceptance. I have just finished his Complete Letters – three massive volumes; how did he find time to write so much and paint so much? – and they are filled with Christian references. Until recently his Biblical-themed paintings were sublimated, but there are many, and they reveal his profound faith.

His brother Theo was the recipient of most of Vincent’s letters. In one typical example he wrote of his heart and his art: to paint men and women with that something of the Eternal which the halo used to symbolize, and which we seek to convey by the actual radiance and vibration of our coloring. Among Biblical scenes he painted, many people see allegorical compositions in paintings like “Cafe Terrace at Night,” elements of which echo the Last Supper.

To much of the world today, van Gogh is thought of as a crazy man who cut off his ear. Modern studies have concluded that he did not commit suicide but was killed by a stray bullet. But a genius who was passionate about Jesus and wanted to reflect God’s glory in his art? Our age does not want to know that van Gogh!

Another figure from history whose persona is firmly established is Oscar Wilde. Playwright, poet, aesthete, epigramist, he also shocked Victorian England as a homosexual and proud pedophile. Only after the father of Wilde’s most consistent lover grew enraged, was the writer lambasted in public and convicted under Victorian statutes against immorality. Subsequent to a colorful public prosecution, Wilde was thrown in jail.

There (in Reading Jail, or Gaol as the Brits spell it) he might have rotted. Well, in fact he very nearly did rot. But he did not buck the system nor shake his fist at the bench or the heavens. In books like The Ballad of Reading Gaol and De Profundis he reflected a recognition of his sins – personal and social – and evinced a respect for Jesus Christ. He sought out clergy; he expressed his need for absolution.

Wilde wrote, near the end of his life: That is the charm about Christ, when all is said: He is just like a work of art…The little supper with His companions, one of whom has already sold Him for a price; the anguish in the quiet moon-lit garden; the false friend coming close to Him so as to betray Him with a kiss; the friend who still believed in Him, and on whom as on a rock he had hoped to build a house of refuge for Man, denying Him as the bird cried to the dawn; His own utter loneliness, His submission, His acceptance of everything… the crucifixion of the Innocent One before the eyes of His mother… the terrible death by which He gave the world its most eternal symbol; and His final burial in the tomb of the rich man, His body swathed in Egyptian linen with costly spices and perfumes as though He had been a king’s son.

Oscar spent his last days in exile in Paris, destitute and sick. He had not lost his trademark wit, even self-deprecatory. He complained of the cheap boarding-house room in which he lived: “Either that wallpaper goes, or I do.” Modern studies have focused on Wilde’s earlier aggressive iconoclasm and flamboyant homosexuality, but not much on his embrace of the Savior. Oh, not in these times.

I nominate a third person, or people, who can be in the category of “those we didn’t know were Christians.” Myself. I will explain:

I was at a party a number of years ago. Cartoonists and writers, folks I knew fairly well, but I was chatting with a friend’s wife I barely knew. The subject of a recent project was raised, and she said, startled, “Oh! You’re a Christian? I didn’t know!” Now: she was a committed believer too; and the statement was in the mode of “Oh! You’re left-handed?” or “You’re a vegetarian? I didn’t know that!”

I am neither one of those people; however the point is relevant – I immediately was “convicted,” a truth brought home to me. She knew the professional-Rick but not the Christian-Rick… and there should be no difference. Van Gogh and Oscar were, respectively, celebrities wrapped in eccentricities or end-of-life controversies; and whose reputations were “protected” by those who cared little about publicizing their spiritual rebirths.

You and I, on the other hand, are – I hope and assume – alive and kicking. If we are Christians, that fact should not take anybody by surprise. “They’ll know we are Christians by our love,” a song goes. We don’t wear signs around our necks, and should not have to wear jewelry or lapel pins to announce or prove our faith-commitments to anyone.

We must not be ashamed of the Gospel. We can show love. We can forgive. We can share the words of Christ. We can serve the needy and the sick, the broken and hurting. We can – first of all – confess Jesus as the Son of God; believe that He rose from the dead after sacrificing Himself, taking our sins upon Him. The Holy Spirit will then see that we bear fruit as Jesus intended.

… And soon we will be saying to each other: “Oh! You’re a Christian too? I knew it!”

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Click: Vincent – Starry, Starry Night

5-10-21

I have been reading, and re-reading, classic novels and old books lately. I don’t really live in the past, although these days I find myself wishing I could.

But as I get older I realize how much I have missed of life, and in life. Rather than regret this, I make up for that lost time – reading, as I say, the classics. And I discover music of the Renaissance, Baroque, Rococo, and Classical periods of music; and even have been enjoying music of the early Romantic period that I previously disdained. How odd that music of the 1840s can be “new.”

I know that not everyone will have the same tastes that I do, but my point is that we have a vast heritage that most of us never explore and appreciate, much less know. There is an old Italian saying that we cannot move forward without looking back. Truth in irony. “What’s past is prologue.” The greatest application of this view is that it is difficult to know the Savior, and gain Heaven, without a grounding in ancient scripture.

Well. A few of the old books I lately have read have surprised me in startling ways. Two were by Oscar Wilde. In a Christian essay, yes, I will mention them.

First, a true story about him. Near the end of his life, after surviving two brutal years in prison (for morals offenses) he encountered a friend on the sidewalk. The friend knew of Oscar’s impoverished state and the shabby room he rented. He asked how Oscar was doing, and the reply was, “Either that wallpaper goes, or I do.”
Ever ready with an epigram, Wilde suggested that he was near death, and knew it; and the comment was a stereotypical remark of a fastidious homosexual. It was his flouting of Victorian sensibilities in the 1890s, and affairs with famous men, and libel suits, and public scandals, that resulted in his two-year sentence at hard labor.

Some day, here, I shall write more, but pertinent to my topic are the two books he wrote while in prison. The Ballad of Reading Gaol (that is, the Jail near Reading Town) and De Profundis (“From the Depths”) are extremely moving short works. They are introspective confessions, not of his acts, but of larger matters of the soul and God’s loving justice – not what one might expect. He dwells upon the Savior, and understands Scripture, and speaks with clarity through the moral fog and fetid world to which he presumed he justly was consigned.

In his philosophical anguish we finds his lines that Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die.

There are some people yet today who debate whether Oscar Wilde’s last days and last writings were searching for Christ and forgiveness. Yet his earlier fairy tales clearly were Christian allegories; and indeed on his deathbed he had a friend summon clergy that he be baptized, and made confession.

Not the impression history has of Oscar Wilde. Similarly, I have just finished reading three very thick, and fascinating, volumes, the complete letters of Vincent van Gogh. How he produced such an abundance of paintings in his short life, much less the massive amount of letters, is astonishing. History tries to tell us that he was a tortured, odd man, hermit-like and obsessive.

The van Gogh of his letters has constant money troubles, but chats with his brother, encourages other artists, comments on illustrators and cartoonists (!) in England and America, dwells on artistic scenes and painter’s tools… and he talks about God. In his youth he considered becoming a minister; he visited a rescue mission in London; and he was a Christian. Doubters today search for evidence of his occasional doubts, sigh, but once again, history paints a distorted picture.

My theme here is that there was a time not so long ago when Western Civilization – and I mean the arts; not only “common people” – believed in God, belonged to the church, accepted Christ. Of other recent “reads,” probably more than half of Hans Christian Andersen’s many tales have Christian themes. Robinson Crusoe as a character constantly dwells on Christ’s mercy and the ways of God. Mozart’s letters, to his father, and to his wife, frequently referred to God in the most natural way.

And so forth. Not Sunday-School lessons, not religious tracts, but much of popular literature and the arts, and “common” life, revolved around God and the Bible and Jesus Christ. Once upon a time.

Is it like that that today? Remotely? Speaking of “remote,” just take TV, for example. Condense the plots or jokes, the “situations” of situation-comedies, the premises of dramas and… realize how far we have fallen.

We can use another barometer. The man serving as president promised to appoint a cabinet that represents America, but has more transsexuals than professing Christians. An avowed Catholic, on his first day in office he directed that taxpayer funds be used to promote the killing of babies in foreign countries.

And this week’s “National Day of Prayer” proclamation did not mention God once.

We may expect God to respond accordingly.

Even the contemporary culture’s perfunctory “God bless,” uttered as if to say, “Have a nice day,” and unfortunately common with Christians, was not tossed into the proclamation when read to cameras.

In the West, we once devoted ourselves, even in the arts, to seeking, knowing, and explaining God. Today we seem to work hard at avoiding, ignoring, defying, insulting, and denying God. We have crossed the line of even pretending to be Christians any more.

God, You are real. God help us. Forgive us. Help Thou our unbelief.

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Click: Help Thou My Unbelief

I Believe, Help Thou My Unbelief

9-23-13

A theme song of cynics – there are many; many cynics and many are their themes – is the famous sentiment written by Shakespeare: “The evil that men do lives after them; the good is oft interred with their bones” (Julius Caesar, Act 3, i). But the hopeful among us must see that this is honored in the breach, that the exception proves the rule. We must not merely be convinced that fights for righteousness and honor and creative expression are worth the fight in this difficult life… but that the fight ITSELF, not only the goal, is worthy.

Cynicism is challenged by uncountable examples of service and sacrifice by kind souls, by acts of charity, a word whose original meaning is “love.” Challenged in the over-arching sense by the work of weary toilers in the fields who sometimes are bent but never broken. And in the very personal examples of artists who die without ever knowing the effect their work eventually has on other people. There are stories we all know from history.

We think of van Gogh; of Poe; of the composer Schubert and the novelist John Kennedy Toole… and of Eva Cassidy.

Some serious critics have called Eva the greatest American vocalist. Do you ask, “Who?” Her relatively sparse playlist has swept record charts around the world. Some of the era’s greatest singers and producers have attested to her uniqueness. The acclaim and sales have all come years after she died. Eva was born in Washington DC in 1963. Self- (and dad-) taught on several instruments, she listened to the great performers of several genres she rapidly mastered herself: blues, jazz, gospel, country, pop standards.

Eva played in several clubs in the Washington area. A college town, DC is replete with jazz clubs, music venues, performance clubs. As a student there myself in ancient times, I was privileged to enjoy, in places like the Cellar Door, Emmylou Harris, Linda Ronstadt, and Randy Scruggs before they were nationally famous. Later, Eva Cassidy attracted a local following and made a few CDs, but her fame was fairly restricted to the District. Pros and record execs who heard her music were astonished, but many of them simply did not know in which category to place her. All of them later regretted their short-sightedness. Her voice was angelic (if angels were to sing the blues); her interpretations were miraculously emotional; her guitar style was unique.

When she was 30 she had a malignant tumor removed from her neck. Three years later she was dead, the melanoma having survived within her body, spread to bones and lungs. After her diagnosis (three to five months to live, no hope of survival) she returned once more to her stage of choice, DC’s Blues Alley, and sang “What a Wonderful World.” That choice, as much as hearing her music, confirms what a wonderful person, not merely a musical talent, Eva Cassidy was.

But it was five full years after her death before the world really heard about her, and heard her. A stray CD made its way the BBC Radio studios in London. Airplay on a morning show lit up the proverbial switchboard. Fast-forward this story to Number One on British record charts; five CDs in the Top 150; continuing presence in England and Ireland, especially, but also Germany, Scandinavia, Switzerland, and Australia… and, finally, America; and sales exceeding 10-million CDs.

It is easy to lapse (thusly) into numbers and statistics. But it was Eva Cassidy’s astonishing talent, and her effect on listeners, that is the story. She had a gift for making mundane lyrics special, for discovering spiritual nuances in standard love songs, for making happy tunes blues-y and turning sad ballads hopeful.

That her “success” is posthumous is ironic at least. Yet once we take account of life’s vicissitudes, we should take heart. The good that we may do DOES live on “after our bones are interred.” When we do the Lord’s work, sharing hope and sunshine, we are eager to see the “seeds” we plant take root and bloom. But we don’t always know if, or when, it will happen. Mostly, we cannot know. As servants of the Word, it really is the Holy Spirit’s job to “close the deals,” and we should resist the temptation of pride if we are too concerned with the seeds we plant. We can plant those seeds; we can even cultivate; but only God can make life grow.

In fact there is a legitimate spiritual satisfaction in not knowing these details. When writers, artists, singers, songwriters, poets, and all people graced with God’s creativity set their works out (as it were) like baby Moses in a basket, among the reeds and into unknown waters, we don’t know who will discover them. But, trusting the God whom we serve by serving our fellow men and women, untold numbers of people, and their families after them, may be profoundly touched. Even if one person’s spirit responds, we have done our jobs.

If we, any of us, exercise the talents wherewith we have been graced, if we see our lives as parts of the cultural continuum of civilization, just as we are woven with the scarlet threads of redemption, then some of us might be the next van Goghs, Poes, Schuberts, Tooles, and Eva Cassidys. And be content that the value is in the working and the works, not the accolades of the world. And the rest of us? We can feel blessed that we are witnesses of these great talents.

Remember the Yogi Berra quotation, “It ain’t over till it’s over”? Memo to Yogi: sometimes it only BEGINS when it’s “over.” The theme song of THAT truth is sung by Eva Cassidy.

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One of the only videos of Eva Cassidy singing is an amateur camcorder capture of her and her guitar at Blues Alley. It often brings tears to viewers’ eyes for the unique interpretation and commonly untapped meanings from a pop standard previously considered without spiritual depth. “Somewhere Over the Rainbow” was recorded the year of Eva’s death, 1996. I commend this performance to you, and its compelling whisper to your soul: “Somewhere over the rainbow, skies are blue, and the dreams that you dare to dream, really do come true. … If happy little bluebirds fly above the rainbow, why, oh why, can’t I?” When Eva sang, she made it a spiritually rhetorical question: We can.

Click: Somewhere Over the Rainbow