Monday Morning Music Ministry

Start Your Week with a Spiritual Song in Your Heart

“Music Hath Charms…”

9-18-23

There have been a few small denominations that discouraged music in worship, just as there were sects that outlawed sex. For similar reasons those groups seemed to perish, disappear… and are missed by few.

Music is a part of humans’ souls. Mysterious in its way because not everybody has the talent to create tunes… or perform well… yet we all respond to music. Those who “can’t carry a tune” (and some people cannot) still enjoy listening. The most hardened people find their hearts softened when they hear a familiar melody. Songs are composed to win lovers and to send boys to war; to bond and to bind; to remember… and, by diversion, to heal and forget.

I am not aware of a survey, but I figure that 95 per cent of songs are love songs. Tennessee Ernie Ford once was asked why he sang so many Gospel songs and not more love songs, and he answered, “Gospel songs are the greatest love songs of all.”

Instrumental music is, to me, the most mysterious, and profound, of all music… all of all the arts. Abstract, yet specific in intent. And musical notation is a language all its own – a universal language. Composers who begin their work with blank staves… and finish with “sounds” that can move us literally and also move us to tears and smiles… perform a kind of miracle.

Johann Sebastian Bach took those blank pages, and before beginning to compose any work, wrote “Jesus, help me” at the top of the first page. When the composition was finished, he wrote “Thanks be to God” on the last page, acknowledging his source and strength of inspiration.

Quirky denominations aside, all cultures, in their social and religious practices, have relied on musical expression. The Bible overflows with descriptions, and endorsements, of joyful music. In Genesis 4 Jubal is identified as the ancestor of “all those who play the lyre and pipe.” Elsewhere, Elisha commanded, “Get me a musician,” wherewith a blessing was delivered. David, the “Sweet Singer of Israel,” ministered to Saul by playing music at night, much as Bach’s Goldberg Variations were composed to soothe those who sought rest.

Martin Luther, the great reformer and preacher, was also a composer (for instance of A Mighty Fortress Is Our God) and he defended music in church: “The devil does not need all the good tunes to himself!”

Some of the most important American historians are those who have studied and recorded (including literally) the folklore and folk music of the American past. I was privileged to know (and play music with, even past his 100th birthday!) the legendary Wade Mainer, whose banjo-picking style influenced Earl Scruggs years before the Bluegrass Sound was born. To hear his stories of rural North Carolina, and hear the songs he and his wife Julia (whose stage name back in the day was Hillbilly Lilly) sang together was like walking through history.

A friend recently reminded me of the excellent book and movie Songcatcher, about those who kept those musical traditions alive. One of the characters mused about the “thread” of a favorite song, perhaps “a touchstone with the past – a remembrance of all the singers who had ever kept a story alive on the strength of their music, and that singing the ballad was a chance to join that chain of voices stretching all the way back to across the ocean to the place where the families began.”

Yes, music hath charms. It is the case, of course, with mighty hymns as well as humble folk tunes. May I provide an example?

Here is a video of a performance of the hymn Nearer, My God, to Thee, which was composed in 1841. Its meaningful words were set to music by several people through the years, including Sir Arthur Sullivan (of Gilbert and Sullivan fame). Its words were on the lips of President William McKinley as he died of an assassin’s bullet – imagine an American president today having this as his last thought? – and by legend, as The Titanic sank, Theodore Roosevelt’s former military aide Archie Butt directed the ship’s musicians to play it.

In this video, André Rieu conducts his Johann Strauss Orchestra, plus 400 brass players and a hundred singers in a performance of Nearer, My God, to Thee. The audience of thousands is a mixed, international group in an open square in Maastricht – and the hymn is performed without words, the singers chanting. Does the audience miss the significance? Not counted by the emotions, and tears, on listeners’ faces!

To hear this hymn, even once, impresses the powerful words on one’s mind, carried by the music. And the reverence of this elaborate performance… confirms the Power of Music.

In words written in 1697 in William Congreve’s play The Mourning Bride, “Musick hath Charms to soothe the savage Breast, To soften Rocks, or bend a knotted Oak.” And it can lift souls, and carry us somehow Heavenward too:

Nearer, my God, to thee, nearer to thee! E’en though it be a cross that raiseth me,
Still all my song shall be, Nearer, my God, to thee; Nearer to thee!

Though like the wanderer, the sun gone down, Darkness be over me, my rest a stone;
Yet in my dreams I’d be Nearer, my God, to thee; Nearer to thee!

There let the way appear, steps unto heaven; All that thou sendest me, in mercy given;
Angels to beckon me Nearer, my God, to thee; Nearer to thee!

As Bach, “the Fifth Evangelist,” said, “With devotional music, God is always present in His grace.”

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Click: Nearer My God To Thee

May Day

5-1-17

Recently we noted that throughout history, pagan observances and celebrations often were co-opted by the Roman church, roughly conterminous with the expansion of the faith. And when expansion was not tractable in lands or with peoples, organized-Christianity found ways to incorporate the names of tribes’ festivals, or certain practices, or pagan gods with new names. Theories abound about the word “Easter,” for instance, and the calendar-date of Christmas.

Such traditions of organized religion better can be filed under “marketing” more than theology; ecclesiology more than evangelism.

Christendom since the Reformation has split in two ways in this matter too. Generally, Protestant peoples of northern Europe have revived Springtime pagan observances, often calling, and sometimes believing, that they are mere celebrations of Renewal, Nature, and Fertility. Holidays run the gamut from countryside dances to dedications of animals, seeds, and celebrants’ resolutions for the year ahead. Catholic lands often have named or invented saints who overlook the prospects of farmers and planters; Harvest Festivals in advance.

From back in hazy pre-history, May 1 was the date agreed upon as the appropriate day, regarded as the beginning of Spring (advent of Summer in some ancient cultures). It is roughly halfway between the Spring equinox and the Summer solstice.

The fertility goddess Maia, a figure in both Greek and Roman mythology, inspired the name “May” and other related words in many languages. Springtime celebrations of fertility were common to all societies. Singing, dancing, special pastries, and the presence of flowers, as in the May Pole, were common to all. So were bonfires, whose smoke was deemed to have protective properties. Faces were sometimes washed in the day’s morning dew.

In Nordic lands, Walpurgisnacht festivals still are held – nighttime activities including bonfires, wreaths of flowers, planting of seeds, and burning of branches, lending a pagan veneer that even an attempt to retroactively honor a patron saint cannot dispel (Saint Walburga is claimed to have introduced Christianity to German lands… but history bestows that honor on St Patrick). In countries like Estonia and Poland, May 1 – Walpurgis Fest – is a national holiday. In Germany, people still gather around bonfires and dance around May Poles festooned with Spring flowers.

In Ireland and nations of Celtic origin, “Beltane” is honored still, even in sight of ancient churches. Neopagans and wiccans have revived the old practices, often adding incantations. Italians harken to pre-Christian days, celebrating Rebirth in its larger senses as “Calendimaggio,” but retaining pagan rites of the ancient Etruscans and Ligures… whose languages are lost to us, but whose superstitions endure.

In Catholic lands, statues of Mary frequently are adorned with wreaths of Spring flowers. (She is the “Queen of May,” to the uninitiated.) In Britain, Morris dancing, decorating May Poles with garlands of flowers, and such outdoor rituals date back to Anglo-Saxon fertility fetes when May was called the “Month of Three Milkings.”

There is another May Day with which we are all too familiar. Known alternatively as International Workers Day, many people assume its own origins are also shrouded in the musty past and in obscure lands, or at least as a holiday of Socialists and Communists, the progeny of Karl Marx or Soviet conspirators.

The red May Day, however, was inspired by an event in America, as recently as 1886, thereafter adopted by Bolsheviks around the world. Disaffected radicals – workers and farmers, anarchists and socialists – agitated for a national strike in 1886, but in Haymarket Square, Chicago, things turned ugly when a bomb was thrown by persons unknown. When the smoke cleared, police and strikers were dead, many injured. The radical Industrial Workers of the World, the IWW or “Wobblies,” was founded there soon afterward. The Haymarket Riot inspired Communists to commemorate it with labor’s May Day.

From the Soviets’ Moscow to Beijing to Havana to Pyongyang to Harvard and Berkeley, that traditional has continued.

The other May Day we know about is the international distress signal. It is only about a century old, displacing wireless telegraphy’s SOS soon after it was first implemented by the sinking Titanic. “May Day” was the vocal shorthand, as the Morse Code was superseded, for emergencies, probably the transliteration of the French “m’aider” – “help me.”

I am not sure whether towns and schools, in the US anyway, have May Day events any more – at least not like when I was a schoolkid, when there actually were dances around Maypoles, threading garlands of flowers; and assigned essays about Spring, and we were allowed to mention God. Now, in this brave new world that is realizing the dreams of Socialists, from Europe on the brink to major forces in the US, every day is May Day.

But the May Day that has the most relevance – that is, immediate import – to Patriots and Christians, is the international Distress Signal.

We are indeed adrift and in distress. As a society, as a culture, we need help. We need to be rescued. “If My people who are called by My name will humble themselves, and pray and seek My face, and turn from their wicked ways, then I will hear from heaven, and will forgive their sin and heal their land (2 Chronicles 7:14).

IFs aplenty. We need revival, but we cannot pray for God’s magic wand. He has never worked that way. We cannot effect it without the Holy Ghost; but God will not bring revival if we do not repent.

Unlike the distress call that went out when the Titanic was sinking, we have the ability to influence our rescue. We can save our lives as He heals our land. But May Days will end sometime. Help us, Lord.

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Click: Help Me

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... Rick Marschall is the author of 74 books and hundreds of magazine articles in many fields, from popular culture (Bostonia magazine called him "perhaps America's foremost authority on popular culture") to history and criticism; country music; television history; biography; and children's books. He is a former political cartoonist, editor of Marvel Comics, and writer for Disney comics. For 20 years he has been active in the Christian field, writing devotionals and magazine articles; he was co-author of "The Secret Revealed" with Dr Jim Garlow. His biography of Johann Sebastian Bach for the “Christian Encounters” series was published by Thomas Nelson. He currently is writing a biography of the Rev Jimmy Swaggart and his cousin Jerry Lee Lewis. Read More