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What IS a Christian?

2-22-16

Some of the most pleasant travel experiences of my life have been atop the ancient wall surrounding the small city of Lucca in Tuscany. I have stayed in the Medieval town a number of times in my life, perhaps a dozen Autumns. High, thick walls once surrounded many Italian city-states. Built for safety, as boundaries, some even encasing apartments; today many are gone or survive as random portions, as relics of previous times and expired functions. But Lucca has Italy’s only complete and intact ancient wall.

On its top, it is wide enough for several lanes of traffic, but it strictly is for pedestrians, who encounter cobblestones and bricks, with many old trees and inviting benches. A favored restaurant is built into the wall at one of its road-portals – La Mura (“The Wall”). On many Autumnal mornings I betake myself to the wall’s long, circumferential boulevard – “Passegiata della Mura” – and jog. More often, stroll. Invariably, see the mists rise from plowed fields as the morning sun kisses them; listen to the city of red-tiled roofs come to life; smell the stoking fireplaces of wood and chestnut shells.

Such thoughts came back to me recently with the latest chapter of the controversy over a possible wall to be built, or not, along America’s southern border. On the endless carousel of debaters, the surprise figure on the horse this week was none other than Pope Francis.

He issued a version of President Reagan’s eloquent defiance of Communism in Berlin (however, before a structure scarcely begun): “Mr Trump, tear down that wall!”

While we are paraphrasing, I will borrow from Gertrude Stein and suggest that “a wall is a wall is wall.” And just as Theodore Roosevelt said that a vote is just like a rifle – that its usefulness depends on the character of the user – we surely can say that walls, throughout history, are functional, of course, but are totally neutral apart from their architectural purpose… which can be transformed anyway, as Lucca’s wall has been.

So, Lucca’s wall, once a standard architectural defense, then a symbol of independence in more political and trade-oriented times, is now a tourist attraction. The Great Wall of China, a Wonder of the Old World and a rare man-made structure that can be seen from outer space, likewise now attracts more photographers than invaders. On the other hand, the Berlin Wall, mentioned above, was a literal city-wide outdoor prison wall, trapping a population in Communist East Berlin. And seldom spoken about in America is Israel’s crude, and effective, cement curtain that cuts through the West Bank.

American objections to porous borders and uncountable illegals incited a papal protest that presumably was metaphorical (walls of separation in our hearts vs. bridges of understanding); presumably. The Pope did not mention Donald Trump by name, but said that “any man” who would propose such walls “is not a Christian.”

Many Christians and conservatives rushed to document the 50-foot high walls that surround the Vatican, which is, though small, a city-state, an independent country. Surrounded by a wall, and with some of the toughest citizenship requirements in the world. And the same folks scurried to Bible concordances and found examples of God sanctioning, even commanding, construction of walls.

Throughout the Bible: walls for defense; walls as parts of temples; walls to interrupt migrations and preserve spaces. Not much different from the sweep of history’s other religions, societies, cultures. So this sudden turn in the immigration debate directs us to far more logical place… and a far more pertinent question than Francis asked.

The Pope declared that people who “build walls and not bridges” are not Christians. No one, least of all Francis, is talking about the essential issue, the real offense. The Jesuit pope should understand, and emphasize, that what makes someone a Christian is belief in Jesus Christ as the Son of God. Since he addressed the theological aspect.

What makes someone “not a Christian” is rejection of Christ’s incarnation, substitutionary death, Resurrection, and Ascension. NOT somebody’s opinions on immigration laws, walls on the US border (or the Vatican’s), or other political issues.

With all due respect, one can be a Christian and have bad ideas, Francis. I believe it is your dogma that having “good” (?) ideas, doing good deeds, yet not professing Christ is yet a pathway to salvation, according to recent press reports. But it is not the Bible’s teaching. The Church, by such statements, is opening itself up to charges of asserting the Works Doctrine. Is approval of a California border fence enough to qualify to “be a Christian”?

Aside from, excuse me, anti- or extra-biblical theology, there are practical questions. If the Pope is concerned about conditions in Mexico, so horrible that millions flee northward in desperation, would not the better act as a Church be to help alleviate poverty and misery in Mexico? There are few Catholic countries with more extreme anti-clerical histories, aside from the excesses of the French Revolution. Insurgents blamed centuries of Church corruption and oppression.

Make things right WITHIN Mexico! So that people will want to stay in places where they were born… and the Church can fulfill its mission… and the US not be threatened and burdened. I have also been to the Vatican many times; the immense wall is about the ONLY thing there that is not opulent, extravagant, even gaudy. There are funds available, I am sure, in the Vatican Bank.

Back, however, to the main point, of pivotal importance: “The man who says such a thing is not a Christian.”

The man who said THAT clearly places his politically correct definition of good deeds ahead of what Jesus and the Disciples and the Holy Bible say about the requirements for salvation. Did the Pope mean, “That’s not how Jesus would act”? or even “That man is a bad Christian”? Very different matters. The Pope usually is aware of his words even when not Ex Cathedra or Infallible. The border towns that suffer violations, the victims of financial burdens and crimes in America – I used to live in San Diego; ask me about them – are they to be defined as “not Christians” when they resist invasions of their neighborhoods and homes?

This Pope did not recognize the metaphorical wall built around the island of Cuba when he hugged its leaders and ignored the Christians in Cuban jails. Or when he was on US soil and was quieter about the issue of the proposed border fence. And he somehow missed the opportunity to scold political leaders he met here about the ongoing horror of abortions, the killing of babies. Mother Teresa had done so… right to the faces of Clinton and Gore, when they were in office and they met her.

Or was Mother Teresa “not a Christian”?

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Click: A Mighty Fortress Is Our God

You Can Move That Mountain… Even with Sandpaper

6-24-13

There is a town about an hour northwest of Florence, Carrara, that, after many visits to Italy, I finally had to see. More precisely: after visiting the statues of Michelangelo so often – the Pieta; David; Moses – I needed to see this town. Carrara, on Tuscany’s Mediterranean coast, holds the marble quarries that yielded the chunks that became his awesome masterpieces. And Carrara remains the source of the world’s great marble.

There is something extra special about Carrarian marble – its tone and texture. And there was something special about sculptors from Renaissance Italy – their anointed skills. I am only one of adoring millions of cultural tourists who wonder at the humanity exuding from rock. At the spiritual statements that can emanate from chiseled stone. Especially, from the viewpoint of a creator, HOW the sculptures could be so smooth and seemingly supple and glowing and close to perfection.

These days Carrarian marble is harvested by workers with mighty machines, bulldozers, and sophisticated drills and band-saws. But in Michelangelo’s day it was harvested by a fascinating process. Somewhere on the face of a mountain, at top or on a craggy slope, a monolithic section was identified, destined for statues or building columns or the facings of public monuments. (The pock-marks in the ruins of the Coliseum, by the way, are not the result of some battles, but when its beautiful marble facing was deemed to be of better, decorative use elsewhere in Rome, sections were pulled off for recycling. Easier than cutting massive new blocks from Carrara.)

Workers of Michelangelo’s day in the marble quarries looked for a crack, no matter how small. A small wooden wedge was hammered into that crack. You wonder: did that make the massive chunk fall off conveniently? No; it merely wedged into its narrow space. But workers would pour water over the soft wooden wedge, as much as it would soak up. The next day, the expansion of the wood – strange as it may seem – expanded that crack ever so slightly. Then the workers inserted a slightly larger wedge, and soaked that too.

… and so on, until the coveted chunk of marble was ready to break loose from the mountainside. Of course, harnessing the rock, navigating its fall, and transporting it to Florence, Rome, and beyond, were different challenges in themselves.

But then, to the master’s hand. Masters like Michelangelo Buonarotti were able to transform those cold slabs of rock. Did they extract humanity from stone, or imbue humanity? Such points of view are for another discussion. But I can tell you, if you have not done so, standing in front of his Pieta transports one to a spiritual realm. Much larger than life; multiple wrinkles of fabric appear genuinely silky; we see anatomical precision; and the faces – more, the “body language” of Mary holding her Son taken from the cross, and the dead Jesus, relieved of torture and strife – are miracles in themselves.

You can stand for hours, looking, identifying, grieving, loving. Being loved. The Gospel story bursts forth from the onetime ugly hunk of rock… but bursts gently. This is a momentary portrait of a dead Man, yet is also a portrait of Life.

And it is a life lesson that the marble quarries at Carrara, and the exquisite statue of the master Michelangelo, has for us. As I noticed the smooth skin of Mary’s face, the soft folds of her robe, and the shiny, smooth skin of Jesus – I beheld a life-lesson.

There are rough mountains in life. We can be “mountains” ourselves: parts of things, often big, bad things, and we wait to be liberated. Myriad happenstances in life will chip away at us; maybe we will fall; sometimes we feel like we are shattered. But then we are taken under care of the Master’s Hand. Even then, we must be prepared for more hammers and chisels, knocking away the unnecessary parts of our life. When we look at unfinished pieces by Michelangelo and Rodin, we can still see the rough marks of chisels, scars-before-the-fact. The process is sometimes long, and never without “hard knocks.”

But those wooden wedges, day by day, slowly expanding until they literally split mountains apart, can remind us God’s persistence, as well as His gentle methods to transform us unto better, more beautiful things. In MY case, I know that is as daunting as moving a mountain. But God can do it.

And there is the other end of the process. The features that give the Pieta and other sculptures their miraculous, other-worldly look – the smooth, shining, flowing surfaces, the appearance of glowing from within – are thanks to the tiniest of all the tools in the whole process! After mighty work in the quarries, transporting, chopping away, making stony chunks fall to the studio floor and fill the air with clouds of rocky particles, the final work of FINISHING is done with the smallest files, and the finest-grain sandpaper.

Marble is receptive to the microscopic burnishing that finishes the sculpture and provides the smooth texture. So it is with the real Master’s hand. It is easy enough for us to accept – intellectually – that major events can affect us, and that God can be in the re-ordering of our steps.

But we should realize, too, that the Holy Spirit often works to finish the work begun with our salvation – to live purified, spiritual, sanctified lives – with a type of holy sandpaper. Reminders, improvements, encouragement, deeper knowledge, fuller trust, richer faith, and peace that passes understanding: these are the grains of sand that bring us to look as God wants to see us.

So the smallest things (even the daily annoyances, until we “make all things work for good”) we should accept as little applications of the Creator’s hand, perfecting and finishing our faith. Oh, how marble-ous!

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Please watch today’s music-video, a spirited rehearsal by a youth choir of “Lead Me To the Rock” – with its references to this message. But it also represents a fascinating travelogue that most Americans, and American Christians, would find remote and surprising. No, not Renaissance Italy – but northeast India. On the border of Myanmar (Burma) is the state of Nagaland, whose main city is Bangalore. Its 2-million inhabitants are predominantly of Indo-Mongol racial stock, and predominantly Christian. In fact the state is between 95 and 99 per cent Christian. There is a higher percentage of Baptists in Nagaland than in any American state; and there are Pentecostals, Revivalists, and Catholics. Very few Hindus, and fewer Muslims. Jesus dwells in those beautiful hills – how many Americans know of this place? English is the official language of Nagaland. Here, visit with the Naga Christian Fellowship Bangalore. And they clap on the back beats! (“Friends should not let friends clap on the first beat.”)

Click: Lead Me To the Rock

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marble for statue

Jesus and Mary

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... Rick Marschall is the author of 74 books and hundreds of magazine articles in many fields, from popular culture (Bostonia magazine called him "perhaps America's foremost authority on popular culture") to history and criticism; country music; television history; biography; and children's books. He is a former political cartoonist, editor of Marvel Comics, and writer for Disney comics. For 20 years he has been active in the Christian field, writing devotionals and magazine articles; he was co-author of "The Secret Revealed" with Dr Jim Garlow. His biography of Johann Sebastian Bach for the “Christian Encounters” series was published by Thomas Nelson. He currently is writing a biography of the Rev Jimmy Swaggart and his cousin Jerry Lee Lewis. Read More