Monday Morning Music Ministry

Eavesdropping on God

Scott (Dilbert) Adams, Looking For a Cubicle in Heaven.

1-19-26

Years ago in one of my previous lives I was a cartoonist and an editor. I served as Comics Editor of three syndicates (later in that capacity at Marvel Comics, and as a writer at Disney and consultant for European and American comics publishers), and for a reason I now forget I was invited to Manhattan by John McMeel. John’s relatively new enterprise was Universal Press Syndicate.

Universal was so new that its New York office was a shared apartment with Garry Trudeau, its star cartoonist who drew Doonesbury. Its Kansas headquarters had seen its first light in a basement. John had unerring instincts, as his eventual empire proved – other strips like Calvin and Hobbes, Ziggy, For Better Or For Worse, The Far Side; and Uclick and Andrews McMeel Publishing enterprises. That afternoon, he showed me samples of a strip Universal was considering: Cathy. He wanted my opinion. I read through several dozen strips, and while I could picture Cathy finding an audience, my assessment of its violations of basic design and reproduction rules began, “John, the lady can’t draw.”

“You’re right,” he said, casually. “She’ll probably work that out in a year or two.” I thought this attitude was the death-knell of newspaper comics. In fact, rather, it marked a time when good drawing and adherence to craft became irrelevant to cartooning success. (Also, the end of Marschall as an oracle about anything commercial created subsequent to oh, 1927…) Doonesbury, after all, a colossus as Cathy would become, was also drawn execrably. Trudeau had the sense to hire a ghost artist, I believe never acknowledged, as many cartoonists do and even more of them should.

But we live in different times. The levels of craft and self-respect have dropped in the comics field; and the same attends the concepts, writing, and premises of many contemporary strips. Part of the reason is that the public is less demanding of its daily fare. In fact I think many readers are devoted to strips because they think, even subliminally, “If I had the chance to have my own strip, I couldn’t draw well either, but I’d stake my claim!” This is a general indictment of the contemporary arts in America, more than of one creation.

This week I am thinking of a creator of this sort, and a contemporary strip: Scott Adams, creator Dilbert, who died on Jan 13, 2025. Dilbert, Dogbert, and the rest of the cast of archetypal drones of the cubical culture never were drawn well. In fact they were drawn as if by Etch-a-Sketch, intentionally and aggressively badly. Not by mistake or by Scott’s clear limitations. He seldom attempted close-ups and never depicted a character’s reactions or emotions. The depiction of banality required such – the evil of banality, if I may misquote Hannah Arendt.

Whatever the inspirational source, the soulless population of Dilbert were middle-distant actors with stereotypical attitudes not in command of their environment but rather reflecting aspects of it. Almost mechanically (in fact appearing to be virtual schematic diagrams) they helplessly manifested the roles consigned to them by the bureaucrat-industrial complex.

In that regard, Scott’s clunky, amateurish drawing style was irrelevant. Of course it was irrelevant to readers: Dilbert found incredible acceptance. It was carried by 2000 newspapers, filled reprints books, shelves of licensed products, and was made into an animated TV series. The point, or a point, is that comic strips overwhelmingly have become observational bits – comedians’ monologues come to “life” – and have inspired their readers to replicate wisecracks and sarcastic walk-away lines in their own “lives.” Exhibit A: eavesdrop on any group’s conversations at restaurants. The sympathetic chuckles are demand-notes for reciprocal assent, so “laughter” substitutes for wisdom.

Humorous comic strips have had stylistic cycles: stereotypes; slapstick; farce; character-based interplay; irony; commentary. Charles Schulz developed a rhythm where the “punch” is in the penultimate panel, and a character comments to self or to the reader in the last panel. Scott Adams used a variant of that structure, which usually attracts the reader into the gag’s environment. All legitimate. What made Dilbert different was the environment itself, offices that contained acres of dull, sterile cubicles.

Throughout history, in my view, two classes have kept humans safe and sane: the saints (priests, prophets, theologians) and the silly (jesters, humorists, cartoonists). Grumpy, insecure Establishment types always have cultivated martyrs among these groups, and by body-counts they have achieved some success… yet we are only encouraged, not defeated. Thanks to happy contrarians like Scott Adams.

America has become a bureaucratized culture. Everyone knows it, and is accepting to varying degrees. People live and commute to and from cookie-cutter houses and neighborhoods. The government and its tentacles want to homogenize us. Every innovation in life is co-opted despite bread-and-circus efforts to persuade us that things can be changed, and we can change things, and the Establishment does not impose its agendas. But to join the Bureaucratic life is to automatically accept marginalization.

In a different, or earlier, context a century ago, Franz Kafka recognized, was crushed by, and addressed this new world. So did other writers and poets and playwrights. They reacted with gloom and despair. Scott Adams was a rare creator who beheld the same soul-crushing Bureaucratic State… but reacted with humor, irony, and identification. More and more people recognized those felt-lined cells called office cubicles. Everyone knew the contemporary versions of humanity’s nitwits, incompetents, poseurs, and hypocrites. Dilbert struck a chord… even as its creator scribbled his observations from a cubicle at Pacific Bell, where Scott labored 9 to 5 at first, unconsciously gathering inspirations.

As Scott’s fame grew so – inevitably – did the Establishment’s opposition. Who could object to jokes about computer programs and fax machines? Not readers, who identified. But, you see, Scott Adams was more than a jester; he eventually wrote serious books; and, thank God for the liberating nature of the internet, began sharing his larger thoughts about life, politics, and current events. His common sense reflected uncommon sense. Ever the iconoclast, this jester became a respected commentator; he endorsed Doanld Trump and was invited to the White House; and discomfited the Establishment.

One discussion about a poll by the great Scott Rasmussen that roughly half of the Black population would not choose to be White – or some such news-cycle filler – moved Scott to say that, if true, he would be less inclined to stroll in some Black neighborhoods. The simple remark was pronounced as racist by the Bigotry Police. He lost a multitude of self-righteous clients; his syndicate cast him out into the cold; and Scott was reduced to his books and podcast

… at which pursuits he thrived even more than before. The web carried Dilbert. The podcast audience was phenomenal. Now Scott could, and did, reach more people, easily combine humor and commentary, and continue to visit the White House.

At the apex of his greatest successes and cultural influence, however, that most evil of Establishmentarians, Satan, planned another attack. Scott was diagnosed with Stage IV prostate cancer that had spread to his bones. He suffered further maladies like partial paralysis, challenges to his ability to draw and speak, and pain. President Trump and Secretary Robert F Kennedy Jr fast-tracked alternative medicines.

Only weeks before his death Scott Adams addressed the public about his impending death. A startling portion of the statement addressed his imminent conversion to Christianity. Previously known for his rejection of faith, he wrote: Many of my Christian friends have asked me to find Jesus before I go. I’m not a believer, but I have to admit the risk-reward calculation for doing so looks so attractive to me. So here I go: I accept Jesus Christ as my Lord and Savior and look forward to spending an eternity with him. The part about me not being a believer should be quickly resolved if I wake up in heaven. I won’t need any more convincing than that. I hope I’m still qualified for entry…

Adams, who could have statues or plaques in the Halls of Fame of Cynicism and Sarcasm, was totally serious. His remark betrays no panic but rather a calculated Pascal’s-Wager calculation, coldly triangulating between Mother Nature as oddsmaker, “What do I have to lose?” insouciance, and… an avoidance of what Christianity IS.

I tried to get through to Scott in his last weeks, hoping as many friends did that he “find Jesus.” There is always the possibility of a “deathbed conversion,” of course; and it. is. never. too. late to accept Christ, whose invitations have no scheduled start-times, nor expiration dates. But whether a person is in distress or has sudden lucidity or is the recipient of an urgent appeal at the end of life, whether from a friend or the Holy Spirit… We are blessed by such opportunities and workings of Grace. We do not know; we cannot know.

But the reception of Jesus into one’s heart is by definition life-changing. And life-saving. Personal conversion – after all, being saved from sin; yes, the prospect of eternal life – cannot be a “risk-reward” calculation. If one does “accept Jesus” you walk, talk, act differently. Of course! – whether you are eight and beginning life, or 68, moments from it ending. You can be smart, like Scott Adams, but never smarter than God.

I pray that Scott is in heaven now. No cubicles! Jesus promised, “In My Father’s house there are many mansions. If it were not so, I would have told you.” It would be the ultimate irony, in this rotten culture against which Scott Adams crusaded for years and lies to us about Christian truths, that he never realized the simplicity and beautiful promises of the Christian life.

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Click: Dame Judi Dench sings “Send in the Clowns” – BBC Proms 2010

Addiction. Addressed To Fellow Junkies.

1-12-26

A late friend of mine, a prominent science-fiction writer, taught me a lesson, or rather two lessons at least, about addiction and such personal challenges and crises. He was not a Christian, despite my puny efforts to witness the Truth to him. I was not particularly discouraged, however, because as Christians our main job in such situations is to share the Gospel; the Holy Spirit was sent among us to minister to peoples’ souls – to “close the deal, so to speak.” We plant; He cultivates; the Lord harvests.

The first life-challenge he shared was about his wife. Throughout his entire marriage he endured her unfaithfulness. She was a serial adulterer, and he knew it because she left countless evidences. His two sons were not his. At different times she was an alcoholic, a chain smoker, consumer of various drugs, anorexic (she looked like a concentration-camp survivor), and, contrarily, a binge foodie. Usually these addictions slightly overlapped – she bounced from one self-destructive addiction to another, sometimes returning to a former disorder seemingly at will.

My friend sought counseling for her, or them together, and the usual result was futility, or his wife having an affair with the therapist. I finally asked him why he didn’t leave his wife, and his answer startled me: “Well, I love her.”

Yes, a lesson in love and commitment, and forbearance and patience and faith of some sort. The putative convert taught the missionary a lesson.

The other perspective I gained was about addiction itself. I don’t know whether there have been volumes written on his view of addiction, or if it were his own battle story, or method of coping. No matter: it made sense to me. He told me that he grew to recognize that people are not so much addicted to alcohol or nicotine or a type of drug or the pleasures of sex or the thrill of escaping discovery; or the flavors or particular sensations. He theorized that most of these people – and that includes most of us – are rather addicted to addiction itself.

Putting aside whether addictions are a disease (which argument many people regard as an “out” of personal responsibility or decisions to sin) the perspective is persuasive. The Bible preaches that there is Original Sin. The core of Christianity is that Jesus, the Incarnate God-Made-Flesh, lived and died and rose in order that we may be forgiven and saved of our sins. “None is holy, no not one.”

Sinning is an addiction. We all commit transgressions against God and against each other, more often than a drunk hits the bottle, or a druggie snorts. We are addicted to sin, though we fight it to varying degrees and inconsistency. It is, literally, the bane of our existence: self-destructive; malignant; in fact deadly.

But. There is a silver lining to this situation.

As addicts seek counseling, we all have a spiritual therapist. Yes, Christian friends, clergy… and the Lord Himself, by immersing ourselves in the Word and through earnest prayer.

As my friend’s wife proved, albeit through myriad backslides, we are capable of switching addictions. We can therefore commit to become addicted to doing good. Rejecting evil and harmful tendencies. Being kind and forgiving. Putting God first in all we do. Are we doomed to fail? – yes, of course: no one is perfect among us. But even drug addicts routinely try to “swear off”; adulterers occasionally repent. The road to reform is always before us. We can do the same. Switch addictions; change habits.

I am seeking to counsel a prominent addict-of-sorts right now. One of the hats I wear is in the cartooning world, as a former cartoonist and editor and historian. Scott Adams (the Dilbert comic strip creator) is a confirmed atheist behind his persona as a clever cartoonist and a brilliant political commentator. He is enduring a diagnosis of terminal cancer, and recently has stated that he will convert to Christianity as a practical matter, hedging his bets that there is a heaven.

Unfortunately that is the most formulaic – therefore empty and futile – impulse. Jesus invites us to love and believe in Him, to save our souls. Not to manipulate the God of the Universe and wrangle an eternal motel room in Paradise. There is another form of addiction from which we all suffer: self-delusion. We never will be smarter than God.

And if we seek secular help in secular worldly crises, we more easily can approach the Throne of Grace, going before our loving Father who has expressed His yearning for us to reach out to Him. He has proven His love for us, sending to Jesus to sacrifice Himself for our sins, even while we are yet sinners. He has called Himself a “jealous” God – hurting when we don’t seek Him in times of trouble.

And the best part of the Christian’s seeking to break the addiction to sin: we actually do not have to achieve emotional “strength” or other prerequisites. Christians achieve victory not by marching and battling: we win on our knees. Surrendering. We admit our weaknesses and addictions; we don’t explain or justify them. And our Counselor materially helps us. Not advice, but Salvation.

Pat your chest by your heart. Say Hello to your Savior. The Great Physician ministers, but He also heals. Those who are well have no need of a physician, but those who are sick. I did not come to call the righteous, but sinners, to repentance (Mark 2:17).

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Click: T. Graham Brown – Wine Into Water (Acoustic) // The Church Sessions

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... Rick Marschall is the author of 74 books and hundreds of magazine articles in many fields, from popular culture (Bostonia magazine called him "perhaps America's foremost authority on popular culture") to history and criticism; country music; television history; biography; and children's books. He is a former political cartoonist, editor of Marvel Comics, and writer for Disney comics. For 20 years he has been active in the Christian field, writing devotionals and magazine articles; he was co-author of "The Secret Revealed" with Dr Jim Garlow. His biography of Johann Sebastian Bach for the “Christian Encounters” series was published by Thomas Nelson. He currently is writing a biography of the Rev Jimmy Swaggart and his cousin Jerry Lee Lewis. Read More