Monday Morning Music Ministry

Start Your Week with a Spiritual Song in Your Heart

Beautiful Savior

3-19-12

Over in these parts it’s been a month of pressure, joy, challenges, stress, brokenness, prayer, deadlines, surprises, anticipation, worship, assessment, re-assessment… in other words, not very different than most months; and probably not much different for you. That is, if we want to see things that way – which is a constant temptation.

Looking back on yesterday, do you remember the bad or the good? Thinking of last week, do you remember the frustrations or the joy? Go back a month: do you remember disappointments or promises?

But do we remember Jesus? He, too, was always there. We try to remember Jesus. In any one day, He’s the Jesus of the pressure; He’s the Jesus of the joy; He’s the Jesus of the challenges; He’s the Jesus of the stress; He’s the Jesus of the brokenness; He’s the Jesus of the prayer; He’s the Jesus of the deadlines; He’s the Jesus of the surprises; He’s the Jesus of the anticipation; He’s the Jesus of the worship; He’s the Jesus of the assessments; He’s the Jesus of the re-assessments. And more: of needs, and of healing, and of relationships.

I invite you — especially so that we all don’t start a typical week the typical way — to remember also that He is Fairest Lord Jesus.

Simple: just the loveliest, lovingest, lover of our souls. He’s everything to us… but how often do we just luxuriate in his love? Fall back — trust Him to catch you — and commune for a moment with the Fairest Lord Jesus.

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Enlarge the screen, turn the lights out if you can, watch this music video, and realize that the most beautiful scenes in God’s creation cannot compare to the actual beauty of our loving Savior.

Click: Beautiful Savior

Bach’s Christmas Oratorio

A Music Ministry Special

Christmas week. Even the most spiritual people among us – plausibly, the MOST spiritual among us – easily can be caught up in the THINGS of this week. Touching bases, checking lists, doing this and that, going here and there… all of which is legitimate. All of which we routinely regret, to an extent. All of which we resolve, nest year, to balance with quiet time to reflect on the meaning of Christmas.

At your service, folks. Here is a 2010-style method of slowing your pace, soothing your soul, and communing quietly with, maybe, your family; with God… and with Johann Sebastian Bach.

At the end of this message is a link to a performance of Bach’s immortal CHRISTMAS ORATORIO. We are used to hearing Handel’s “Messiah,” at least several famous portions. No less beautiful, and powerful, and spiritual, is Bach’s “Christmas Oratorio.”

An oratorio is best explained as a religious opera without a stage. Drama based on biblical stories is presented employing overtures and instrumental movements, solos and choruses, and often a narrator – an orator, providing one theory of its name – in the form of a singing narrator who stands apart from the “action.” Oratorios sometimes were performed outside the settings of churches. The most famous composer of Baroque oratorios is Händel, who wrote one German, two Italian, and seventeen English-language oratorios.

The opening of Bach’s Christmas Oratorio, Jauchzet, Frohlocket!, with timpani drums tuned to different notes, is among the grandest music Bach wrote. And the close of part two, Wir Singen Dir In Deinem Heer, seamlessly combining two previous beautiful melodies, is magical. The Sinfonia, a purely instrumental movement, is sublime. Does it advance the “action”? – No, except to set the mood of the peaceful night in Bethlehem, where the shepherds watched over their flocks.

May I invite the uninitiated to this glorious piece, or to Baroque music in general: Let Bach, and the biblical text, carry you on a spiritual trip. The Bible is quoted; the chorus and soloists take the part of Christmas-week players; and the ancient, beautiful music will touch your soul. Give this time… and it will be a special part of your Christmas.

In this video, Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists; the setting is the historic Herderkirche in Weimar, Germany, a city where Bach once lived and worked. The Christmas Oratorio originally was performed on six different days, from Christmas to Epiphany. Technically it is six cantatas, a form within the liturgy of which Bach was master.

The small choir… the original ancient instruments… the soloist in the box… the setting of the historic church… bring you close to the music as Bach would have conducted it himself. The first such time was Christmas of 1734.

I am linking you to full-screen downloads of this masterpiece (I daresay many of you will rush to find the DVD version of this to watch on a bigger screen next year!) Of several good versions available on the web, this is the only one with English subtitles; when they don’t appear, it is because singers are repeating passages. ALSO: this is not just “sit back and close your eyes.” Every once in a while a download will end, and a screen will appear with freeze-frame options. Click the largest box, upper right, labeled “Up Next,” or the logically numbered screens in the strip below.  (This will give you a chance to take a break if needed – this is more than two hours long, like “Messiah,” so plan some time! – or, you will see, you will want to repeat a passage whose musical beauty and spiritual power has impressed you!

Take time. Make time. Have a merry, and meaningful, and musical, Christmas!

Click this link: Christmas Oratorio — J S Bach

A Hymn for Doubters

All the Merrys of this season, and the Happys of greetings like the thousands we hear and say, cannot mask that sometimes life is not always merry and happy.

Even Christians, as secure as they can be in their faith, and mindful of God’s many blessings, not only have difficult times and enormous challenges (not warned about in the Bible, but promised to occur)… but also deal with moments of doubt.

To be a follower of Jesus, and admit to these things, does not make you a bad Christian; it just shows that you are… a Christian. We believe, but sometimes doubt things. We trust, yet need His hand to walk forward. We take the risk of trusting like a child…

Those last words are in Bill Gaither’s song I Believe… Help Thou My Unbelief. If you are ever in that fragile spiritual state, or ever have been, or might be sometime, this brief emotional song might minister to you:

Click:  A Hymn for Doubters

Do YOU Know…

A short message about the greatest message ever delivered.

This week’s music is the recent, but already standard, Christmas favorite, Mary Did You Know, sung by its co-writer, Mark Lowry. The lyrics are a profound statement of Christ’s incarnation, in which we are invited to see through the eyes of His mother.

At this concert in Birmingham, Bill Gaither then draws the very proper — the essential — connection between Jesus’s first coming and His second coming. Christmas and Easter should not be two separate celebrations. The same yesterday, today, and tomorrow, He was here among men, and will return for us; the vulnerable baby is also the Great “I Am.”

St Augustine, 1500 years ago, put it this way: “The nature of God is a circle whose center is everywhere and whose circumference is nowhere.” And that is Jesus, first born of all creation.

And… He came… for us. As you listen to “Mary, Did You Know,” let me ask: “Do YOU know?”

Click:  Mary, Did You Know

Tell Me the Story of Jesus

Sometime in these days before Christmas, likely this very week, you will meet or be with someone with whom you can share something special.

The Christmas season — everything we are surrounded with, and all that is missing in contemporary-style surroundings — can allow the sharing of thoughts to come easier. Or it can make it much harder. Clichés rush to our lips, and can sound like old truths, which they are; or sound like… well, empty clichés.

Here’s a thought: if you think someone has a need in his or her life that can be filled by the spiritual blessings you have experienced, DON’T tell them about your wonderful church.

DON’T tell them about the great music on Sunday mornings.

DON’T tell them about the amazing sermons, even if you have a stack of cassettes.

DON’T tell them about the wild youth group and all the activities.

DON’T tell them about the small group studies, ladies’ fellowships, men’s breakfasts.

DON’T tell them about the neighborhood Bible studies.

DON’T tell them about the outreaches, soup kitchens, and missions programs.

… not first, anyway. Not even second or third. If the person you talk to needs those things, he or she will come to know them, sure enough. If you act like those things are the Main Deal in your faith life… well, you’re revealing that you are a social animal, but sharing nothing about your faith. Or, rather, the Source of your faith.

Tell them about Jesus. That’s all. Tell them the story of Jesus.

The blind poet Frances Crosby (who never wrote a poem until her 40s and wrote 7000 poems and hymns before she died) said it best — and provided a brief script for us, if our own words come hard! — in the song Tell Me the Story of Jesus. Here it is sung at a Gaither Homecoming camp meeting on a warm summer evening in Fairmount, Indiana; followed appropriately by a verse from another beloved hymn, I Love to Tell the Story.

Click:  Tell Me the Story of Jesus

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About The Author

... Rick Marschall is the author of 74 books and hundreds of magazine articles in many fields, from popular culture (Bostonia magazine called him "perhaps America's foremost authority on popular culture") to history and criticism; country music; television history; biography; and children's books. He is a former political cartoonist, editor of Marvel Comics, and writer for Disney comics. For 20 years he has been active in the Christian field, writing devotionals and magazine articles; he was co-author of "The Secret Revealed" with Dr Jim Garlow. His biography of Johann Sebastian Bach for the “Christian Encounters” series was published by Thomas Nelson. He currently is writing a biography of the Rev Jimmy Swaggart and his cousin Jerry Lee Lewis. Read More